Toto
The Hero, Belgium-France-Germany, 1991,
90 min. Starring Michel Bouquet, Mireille Perrier.
Directed by Jaco van Dormael. Bouqet plays Thomas,
a man who has come to believe he was switched
at birth with the neighbor boy, who subsequently
lived the life he was meant to live. As the film
flashes back and forth between three stages of
Thomas's life, we get a sense of what he longed
to be and how he came to feel that he was cheated
out of fulfilling his dreams, and yet van Dormael,
a former circus clown, transforms a story that
could have been suffused with bitterness into
a charming fable of life's absurdities.
In The Name Of The Father,
USA-Ireland, 1993, 127 min. Starring Daniel Day-Lewis,
Pete Posthelwaite, Emma Thompson. Directed by
Jim Sheridan. A young Irishman is intimidated
into confessing to involvement in an IRA bombing,
which ends up landing his father in prison as
well. Despite evidence of their innocence, they
are put through hell, until a British attorney
manages to find substantiation of a frame and
subsequent cover-up. Wrenching tale based on a
true story boasts electric performances, and may
be even more relevant now than it was when first
released.
The Piano, New
Zealand-France, 1993, 121 min. Starring Holly
Hunter, Harvey Keitel, Sam Neill, Anna Paquin.
Directed by Anna Campion. A woman, mute by choice,
is sent to New Zealand in an arranged marriage,
bringing with her the two things she loves most
in the world: her daughter and her piano. When
her husband sells the piano to a local man who
has adopted the Maori customs, she strikes a deal
with the man that leads to a truly unusual situation
indeed. A demanding film with strong characters
and a mysterious unconventional eroticism.
Naked, UK, 1993,
131 min. Starring David Thewlis, Lesley Sharp,
Katrin Cartlidge. Directed by Mike Leigh. Nihilistic
film follows the exploits of Johnny, a crude,
sexually violent young man who flees his native
Manchester after raping a girl to shack up in
London with an ex-girlfriend and her dim roommate.
Leigh, famous for his depictions of Britain's
assorted classes, most especially the working
class, shoots for something darker here, peeling
away the surface and showing the UK's darker underbelly
of dispossessed souls. Thewlis is particularly
unforgettable in his Cannes-awarded performance.
Farewell My Concubine,
China, 1993, 155 min. Starring Leslie Cheung,
Zhang Fengyi, Gong Li. Directed by Chen Kaige.
Sprawling film tells the tale of two men, both
opera performers, one straight, one gay, and their
relationship over the years, while simultaneously
depicting the political changes that occurred
in China throughout that time, especially the
ramifications of the Cultural Revolution. Kaige
made this highly personal film against great obstacles
(and saw it banned in his native land repeatedly),
which makes his ultimate achievement all the more
remarkable.
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